Le clip "Divine Féminin aux Bouffes du Nord" de Traffic Quintet Label : Universal Music Division Classics Jazz Date officielle de sortie du clip : 19/01/2011
Dimanche 11 avril 2010, concert mémorable au Théâtre des Champs Elysées du Quintette de cuivres Magnifica et l'orchestre Lamoureux. Final du Concerto Couleur Cuivres de ,Pascal Beintus, pour quintette de cuivres et orchestre
Bocerini Quintette 4 mov (arrg Romero)
Retrouvez les artistes du festival sur http://www.qobuz.com/blogs/qobuzlabs et sur la boutique en ligne http://www.qobuz.com/page/labs Pour sa quatrième édition, le Festival des tons voisins d'Albi a rendu hommage à trois illustres compositeurs : Frédéric Chopin, Robert Schumann, et Alexandre Tansman. Organisée par le pianiste Denis Pascal, cette programmation a donné lieu à quatre journées de commémoration musicale, du 30 juin au 3 juillet 2010. Ce final du Quintette pour piano et vents de Wolfgang Amadeus Mozart K452 est interprété par Nora Cismondi (hautbois), Nicolas Baldeyrou (clarinette) Julien Hardy (basson), Benoît de Barsony (cor) et Denis Pascal (piano).
Source: http://www.officenaps.com/2007/12/message-from-ghetto.html "1. Shahid Quintet, Invitation to Black Power, part I (S and M) Despite its reference to the "long, hot summer” - Detroit’s deadly spell of rioting and discord in 1967 - I believe that “Invitation to Black Power” was actually produced in Chicago. The selection was likely recorded in 1968 or 1969 - after Martin Luther King, Jr.’s April 1968 assassination, certainly. But no substantive light can be shed on the Shahid Quintet or Richard or Earl Shabazz, who, either way, were probably not related. (Shabazz is a frequent surname assumed by Nation of Islam adherents.) "Its mysteries aside, “Invitation to Black Power” is a fascinating, a one-of-a-kind snapshot of a particular dimension of the black inner-city experience of the late ‘60s. It’s a bit amateur, sure, and its format is more a throwback to earlier beat-poetry-with-cool-jazz collaborations than the screeching saxophones and intellectual aspirations of contemporaries like Archie Shepp or Amiri Baraka. But it succeeds in one account: running down, humorously and unpretentiously, the Nation of Islam promise of rebirth, equality and separation of the races. "Which is not to say that “Invitation to Black Power” was ever a proselytizing tool espoused, officially or otherwise, by the Nation of Islam in the local communities. It has more the flavor of a vanity project, the handiwork of a ragged jazz combo and two men with poetic and theatrical proclivities and the zealous energies of the converted. "Earl Shabazz and Richard Shabazz might have envisioned their record finding its way to their local Black Nationalist bookstore, they might have seen it being sold at local poetry readings. Some forty-odd years later, though, they likely wouldn’t have foreseen that their recording had landed mostly in hands of white record collectors, the inevitable home to such cultural ephemera."
Source: http://www.officenaps.com/2007/12/message-from-ghetto.html "Shahid Quintet, Invitation to Black Power (S and M) "Despite its reference to the "long, hot summer” - Detroit’s deadly spell of rioting and discord in 1967 - I believe that “Invitation to Black Power” was actually produced in Chicago. The selection was likely recorded in 1968 or 1969 - after Martin Luther King, Jr.’s April 1968 assassination, certainly. But no substantive light can be shed on the Shahid Quintet or Richard or Earl Shabazz, who, either way, were probably not related. (Shabazz is a frequent surname assumed by Nation of Islam adherents.) "Its mysteries aside, “Invitation to Black Power” is a fascinating, a one-of-a-kind snapshot of a particular dimension of the black inner-city experience of the late ‘60s. It’s a bit amateur, sure, and its format is more a throwback to earlier beat-poetry-with-cool-jazz collaborations than the screeching saxophones and intellectual aspirations of contemporaries like Archie Shepp or Amiri Baraka. But it succeeds in one account: running down, humorously and unpretentiously, the Nation of Islam promise of rebirth, equality and separation of the races. "Which is not to say that “Invitation to Black Power” was ever a proselytizing tool espoused, officially or otherwise, by the Nation of Islam in the local communities. It has more the flavor of a vanity project, the handiwork of a ragged jazz combo and two men with poetic and theatrical proclivities and the zealous energies of the converted. "Earl Shabazz and Richard Shabazz might have envisioned their record finding its way to their local Black Nationalist bookstore, they might have seen it being sold at local poetry readings. Some forty-odd years later, though, they likely wouldn’t have foreseen that their recording had landed mostly in hands of white record collectors, the inevitable home to such cultural ephemera."
classic oldie - enjoy!! http://en.wikipedia.org/wiki/Sir_Douglas_Quintet
Quintet pour Violon n ° 6 Opus 30 . Musique Nocturne .
Arrangement pour Violons du Quintet pour Clarinette ( photo VIENNE ) .
Quintet pour Violons Opus 111 , 2em mouvement ( photo VIENNE ) .
Quintet pour Violons et Violoncelle Opus 111 (1) ( photo VIENNE ) .
Quintet pour Violons , Piano et Violoncelle Opus 83 .