Liste des vidéos Peinture les plus récentes
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1 min 53Henri Rivière goelo
tableaux du peintre Henri Rivière qui de sa maison de Loguivy a peint alentour (entr'autres)Loguivy,le Trieux Larcouest, Bréhat. Beau témoignage du passé proche (1864 1951)
241 semaine0 -
1 min 20
Gros plan: -Mein Joliget
Mein Joliguet, feu d'entrée de port sous différents angles, à différents âges
91 semaine0 -
6 min 02
Bernard Vega expo2006
exposition de peinture 2006 de Bernard Vega à hotel Dieu st Jacques Toulouse , le vernissage a eu lieu octobre 2006
101 semaine0 -
5 min 37
Bernard Vega expo2004
exposition de peintures 2004 de Bernard Vega à Archipel Toulouse , le vernissage a eu lieu 23 avril 2004 .
91 semaine0 -
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9 min 09
Bernard Vega expo2003
exposition de peintures 2003 de Bernard Vega à Archipel Toulouse , le vernissage a eu lieu le 7 février 2003
61 semaine0 -
8 min 03
Bernard Vega Expo2002
exposition de peinture2002 de Bernard Vega à Archipel Toulouse , le vernissage a eu lieu le 22 fevrier2002
71 semaine0 -
6 min 01
Bernard Vega expo2000
exposition de peintures 2000 de Bernard Vega à Archipel Toulouse , le vernissage a eu lieu le 22 novembre 2000
41 semaine0 -
3 min 55
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6 min 01
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1 min 07
Arts pontévallois Salon d'hiver 2012
Salon d'hiver des arts pontévallois à la bilbiothèque de Pont-de-Vaux. 25 janvier/18 février.
131 semaine0 -
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2 min 43
Voyage Métaphorique :Vladimir Kush
Un voyage animé par l'art surréaliste et spectaculaire de Vladimir Kush ,peintre et sculpteur Russe....la bande annonce de "Metaphorical Voyage "qui en donne un aperçu. Pour en savoir plus : http://www.metaphoricalvoyage.com
572 semaines5 -
3 min 26
Heitch's paintings -Song for Bethyna (Dondieu Divin) Realisation :Francky Moulet
Versions ( French and UK) Un rapide coup d'oeil sur ses toiles nous montre que Heitch néglige ouvertement la figuration et ne s'embarrasse pas avec le dessin. Il y a là ouvertement un parti-pris d'éviter toute forme de représentation du monde ordinaire. Aucun portrait ou scène de genre, ni paysages urbains ou champêtres. Volonté délibérée d'oublier ce versant de la peinture, de se coltiner à des exercices académiques, de jouer la tradition. Pas non plus de message dans son travail, excepté un titre qui porte explicitement le nom de Y. Rabin. La politique donc ne préoccupe pas Heitch ou si peu. Mais alors que donnent à voir ses toiles ? Quel en est l'univers thématique? Le monde de Heitch? D'abord Heitch..., le nom ou pseudonyme sonne comme une syllabe kabalistique ou une lettre hébraique, une respiration yogique. C'est peut-être de ce côté qu'il faudrait se diriger pour comprendre sa démarche. Une peinture religieuse qui ne dit pas son nom et qui éviterait toute figuration, tout rappel à une doctrine ou à une théologie quelconque. Aucune identification, aucun rappel à une religion classique, à une tradition ésotérique particulière. Sortes d'exercices mentaux, rites imaginés, témoignages d'expériences marquantes? uk version A quick glance reveals that Heitch deliberately ignores forms and figures; the artist avoids any form of representation of the mundane. In fact one can find no portrait, no scenery, no urban or rural landscape amidst her work. She consciously turns away from tradition, from set standards. What then can be seen through her canvas? What?s her universal theme and in which world does Heitch operate from. First let?s look at the name Heitch that sounds like a cabalistic syllable or like maybe like a Hebrew letter or even a mantra. It could be that the name itself provides clues as to where to go to better understand the artist?s approach. Her work shuns all forms of representation and is reminiscent of religious art but with no form or symbols thus refuting any doctrine or any specific theology. There are no references here to any classical religion or to any esoteric traditions; her works stands out as if they were mental exercises, imaginary rituals or maybe even testimonies to some unforgettable life experiences.
162 semaines0 -
1 min 58
Previous
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
63 semaines0 -
1 min 58
Anteriores
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
93 semaines0 -
1 min 40
Jazz08
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
43 semaines0 -
1 min 40
Jazz08
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
43 semaines0 -
2 min 00
2009. Spaces
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
63 semaines0 -
2 min 00
Espacios
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
53 semaines0 -
1 min 58
2010. Unknown Pleasures
Meko (1967) Quintanar de la Orden (Toledo. Spain) The timelessness and the image matter as the axis of the visual experience determines the artistic production of Meko. Timelessness, image and matter in a work whose path runs from the Concept Art and materic Art between the colorful and informalist commitment and the constant pursuit for reinvention. Meko techniques used pigments mixed with traditional art materials as sand, fabric, straw, rope, etc.., with predominance of collage and assemblage, and a textured close to relief. Use the technical mystification and use of heterogeneous materials, often waste or recycling, mixed with traditional materials art looking for a new language of artistic expression. Apply its mixture of various materials in compositions that take the consistency of walls or walls, which added several distinctive elements. Images that reflect a concern for human problems: disease, death, loneliness, pain and sex. Tone akin to existentialism says the tragic destiny of man, but also claims a freedom, the importance of the individual, his capacity to act against life, ultimately free search of knowledge.
53 semaines0
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